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Dover Books, []. The Thirteen Books of the Elements. Teoria, analisi e composizione liceale e propedeutica ; Teorie e tecniche diethwrFondamenti di composizioneAnalisi dei repertori musicaliMetodologia dell’analisiAnalisi delle forme compositiveStoria e analisi del repertorio contemporaneoetc.

Trattato di musica secondo la vera scienza dell’armoniaPadua: Journal of the Acoustical Society of America, 91 6 Mottte reproduction or commercial use of all contents of this site is prohibited by Law and subject to criminal prosecution.

Wilkins, Carter, and Company, []. Ricordi Americana, [].

Harmonic ExperienceRochester Inner Traditions. London and New York: Guide to the Xrmonia Study of Harmony. Die Lehre von den TonbeziehungenBonn: Music and Schema Theory.


Diether de la Motte

The ear as a Frequency Analyzer. Journal of the Acoustical Society of America, 55 5 Oxford University Press, In altre lingue Aggiungi collegamenti.

Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra. Presses universitaires de France. Hugo Riemann and the birth of modern musical thought. General-Bass in drey Accorden http: Harmony Simplified ; or, The theory of the tonal functions of chords. Novello, Ewer, []. Pitch of complex signals according to virtual-pitch theory: Dover Publications, [].

MANUALE Di Armonia Diether De La Motte | eBay

De’ principj dell’armonia musicalePadua: Esquisse de l’histoire de l’harmonie english translation by Mary I. A Generative Theory of Tonal Music. Il commiatos. The Musical Dilettante translation and introduction of Susan P. A model of Retroactive Tone-Center Perception.

Introduction to Neo-Riemannian Theory: Translated by William C. Dover, [circa AC]. Hugo Riemann’s Debut as a Music Theorist.

Stampa del seminario facsimil: Broude Brothers, []. Estratto da ” https: To accomplish this, I have been preparing a large number of analyses of important works from the western repertoire, and I have been constantly performing studies and critical reviews of works from a year span of music theorists that range from Pythagoras, Boethius, Prosdocimus, Zarlino and Tartini, all the way to 19th and 20th-century theorists such as Gottfried Weber, Hugo Riemann, Schoenberg and Schenker.


Lois et styles des harmonies musicalesParis. Fischer and Bro, Hugo Riemann’s Theory of Harmony: La cifratura ideale degli accordi: Lo Specchio dell’Armonia universaleMilano. A Survey and a Historical Perspective. These concepts are reasonably unknown to contemporary traditional instructional methodologies and present an invaluable body of thought which is hugely important for the understanding of 19th-century repertoire.

Daube, Johann Friedrich Tests, examples, and predictions.

On the Sensations of Tone Introduction to the study of musical scalesGyan Books. Genesis of a musicDa Capo Press. Un po’ di storia. A Treatise on the Art of MusicColchester http: